Rembrandt Harmensz Van Rijn

b. 1606 Leiden, The Netherlands, d. 1669 Amsterdam,Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.


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Rembrandt Harmensz Van Rijn Sjalvportratt at about 21 ars alder oil


Sjalvportratt at about 21 ars alder
Painting ID::  53810
Sjalvportratt at about 21 ars alder
mk234 about 1627 20x16cm
mk234_ about_1627_ 20x16cm
   
   
     

Rembrandt Harmensz Van Rijn Self-Portrait oil


Self-Portrait
Painting ID::  53811
Self-Portrait
mk234 1659 84x66cm
mk234_ 1659_ 84x66cm
   
   
     

Rembrandt Harmensz Van Rijn Joseph is accused of Potifars wife oil


Joseph is accused of Potifars wife
Painting ID::  53812
Joseph is accused of Potifars wife
mk234 1655 106x98cm
mk234_ 1655_ 106x98cm
   
   
     

Rembrandt Harmensz Van Rijn Judebruden oil


Judebruden
Painting ID::  53813
Judebruden
mk234 1665-67 122x168cm
mk234_ 1665-67_ 122x168cm
   
   
     

Rembrandt Harmensz Van Rijn Stadt auf einem Hugel bei sturmischem Wetter oil


Stadt auf einem Hugel bei sturmischem Wetter
Painting ID::  68549
Stadt auf einem Hugel bei sturmischem Wetter
1638(1638) Oil on wood 52 ?? 72 cm
1638(1638)_ _Oil_on_wood_ 52_??_72_cm
   
   
     

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     Rembrandt Harmensz Van Rijn
     b. 1606 Leiden, The Netherlands, d. 1669 Amsterdam,Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.

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